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OKINAWA
KOBUDO
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This
article (including pictures) is taken from Inoe-ha kobudo web site.
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Bo
(kon)

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There are 4 kinds of Bo or Kon used in the system, San
Shaku or Jo Bo, Roku Shaku, Kyu Shaku and Eiku or Suna Kake no Kon. The Bo is the main stay of Ryukyu Kobujutsu attributing 22
kata to the syllabus and its usage and posture is almost the same as the
sword. The Roku Shaku Bo is
the predominant kind of Bo used and attracts the main interest by
practitioners.
Its length is 6ft, or as is sometimes customary, cut to the height of the
user.
The wood used is usually Red Oak or White Oak and the Bo is
tapered from the tip ends for better blocking and smoother usage.
The weight is dependent on the wood used and is a critical factor
for students, too heavy and the techniques become cumbersome, too light
and there is not enough power. The
weapon is classified as a synthetic one and attracts the greatest
distance training between opponents.
It magnifies the areas of development needed with empty hand and
encourages Tai Sabaki/Yoko Sabaki at all times.
The practitioner is taught to hold the weapon initially divisible
by thirds and then openly encouraged to develop a more flexible holding
style allowing full use of the weapons potential distance
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Sai



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There are 2
types of Sai used in the system, Tsuujo no Sai and Manji Sai. This weapon is the supporting mainstay of Ryukyu Kobujutsu
and attracts 8 kata to the syllabus. This
weapon is not the result of agricultural creativity as commonly written. Records from China prove its original existence although in a
much more elongated form. The
weapon is metal and of the truncheon class with its length dependent
upon the forearm of the user. When
held it should be about 3cm longer than the forearm and generally Sai
are used in pairs.
Advanced Sai uses
3, with one held in the belt behind ready for, and used for throwing.
The tang is of the Korean classification and the pommel is
variant to round, square or multi angled types much dependant on the
emphasis of the makers usage. The
basic holding manner “Honte-Mochi” (Natural) and “Gyakute-Mochi”
(Reverse) is prevalent with basic Sai whereupon the advancement to “Toku-Mochi”
(special grip) is introduced. This
brings the usage and actions of the Sai into the same family as Tonfa and Kama.
The Manji Sai which was made by Shinken
Taira has a half reversed tang looking much like a swastika and a
pointed pommel end denoting Sensei Taira’s preference to a stabbing
motion instead of the smashing techniques dominant with the Tsuujo Sai.
The
efficient use of the weapon is much reliant on the dexterity of the
practitioner with his thumbs, which the tang is balanced and rotated on
along with the loosening and
tightening of the grip from the small
finger for striking and consolidating power.
The early use of the weapon makes the user appear stiff and
robotic but as the training advances the flow and unity with body
movement becomes ever more apparent.
Sai is the practice of “Shuto” in empty hand and emphasizes
the need for “Koshi no Chikara” (Hip power) and “Suri Ashi”
(sliding movement). The
importance of body movement and good footwork is ever more apparent as
the weapon is of a smaller classification than Bo.
Advanced practitioners must learn to throw the Sai, a difficult
requirement in view of the weight.
The Sai explores the weakness of Bo, thus making Bo-jutsu
stronger.
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Tonfa


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There
is in principal only one kind of Tonfa although the shaft varies in
shape from round to rectangular. History
has also shown the butt ends to be pointed but this is extremely rare.
The weapon attracts two kata in the Ryukyu Kobujutsu syllabus but
because of its exposure with the police in the baton form it is a very
popular weapon
to practice with.
The
weapon is used in pairs and is of wood, again red oak or white oak
preferably in keeping with the Bo.
The length of the weapon is also the same requirements as the
Sai, about three centimeters past the elbow when gripped.
The weight like the Bo is paramount to the efficient usage of the
weapon. Too light and it
lacks power in Kumite, too heavy and the techniques lack speed and
become ponderous. Again like the Sai there are three grips, Honte-Mochi
(Natural), Gyakute-Mochi (Reverse) and Tokushu-Mochi (Special grip).
The latter is not commonly used but is very effective and relates
strongly to the techniques of Kama.
The usage is prevalent in the kata Yaraguwa. Tonfa is the practice of
Uraken (back fist) and Hiji waza (elbow techniques) in open hand
fighting.
Good body movement like the Sai can make this weapon
formidable, combining the speed it needs and generates along with the
skilful footwork for evasion
and attack. Although there are stories of Rice millstone grinding
implements and horses bridles etc. as being the origins of this weapon,
these are merely coincidental. The
weapons origins can clearly be traced back to China and be found in
Indonesia and surrounding geographical locations.
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Kama


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The bladed weapon
of the Ryukyu arsenal, this weapon brings to the practitioner the feel
of steel and the hint of fear a live blade gives.
Used, as a pair there is one style of Kama with varying sizes of
blade length and shaft size. The
corner of the blade to the shaft should have a groove cut into it for
catching the Bo and other weapons without the blade digging into and
getting stuck into
the attacking weapon.
The weight of the
shaft is dependent upon the strength of the user and should be tapered
to the butt end with increasing thickness.
This allows for ease of catching and sliding when changing grip. The blade should add sufficient weight to ensure it is the
heaviest point in the weapon. This
also allows for ease of usage. The
length of the weapon should extend to about 3cm
passed the elbow when held in reverse grip. The handling of the
weapon is the same as the Sai with the following grips,
“Honte-Mochi” (Natural), “Gyakute-Mochi”(Reverse) and
“Tokushu-Mochi”(Special grip).
Kama is the practice of “Kuride” and “Kakede” (hooking
and gripping) in open hand technique
The Ryukyu Kobujutsu syllabus has three
kata of Kama, which emphasize body unity with the weapon to obtain power
along with demanding footwork. The
dexterity of the fingers is paramount to the changing grips the weapon
affords and needs in kumite. Most
students commence with wooded Kama to ensure safety and acclimatization
before moving to the more demanding live blades.
This weapon known as the sickle in the west has a derivative from
the farming implements.
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Tekko

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Legally the most controversial of the Ryukyu weapons the Tekko is the
smallest weapon, bringing the exponent closest to open hand techniques.
The term “knuckle duster” creates images of darker methods of
fighting but in actuality attacks clearly defined points vulnerable to
the taste of metal. The
Tekko should be made to the width of the hand with anything between one
and three protruding points on the knuckle front with protruding points
at the top and the bottom of the knuckle.
They can be made of any hard material but are predominately found
in aluminium, iron, steel, or wood.
Due to the size of
the Tekko the techniques are of the open hand family.
The Ryukyu Kobujutsu syllabus has one kata, which is a
combination of the “Naha”, “Shuri and Tomari” feeling combined. The kumite focus on attacking the bony areas of the body such
as the wrist, elbow, collar bone, ribs, and ankle. On impact this slows done the opponent drastically and allows
for the quick changes of angle and height so apparent when studying
Tekko. Gripping techniques
prior to and at the time of “Zanshin”teach the exponent the emphasis
on pressure points, which the Tekko takes great advantage of due to its
structure. Muscle and bone
have to succumb to its efficient design and usage.
This weapon is undoubtedly
not a farming implement and was clearly design for the purposes of
combat.
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Nunchaku


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The most
controversial of the weapons of the Ryukyu but in essence the least
properly explored. There
are three types of this weapon taught in the Ryukyu Kobujutsu syllabus,
the 2 section, 3 section and the 4 section.
Made preferably of red or white oak, or a heavy wood, the
sections are tapered from the chord end (2.5cm) to the predominant
strike end (3.3cm).
The shafts vary from octagonal to round
in shape and the weight is dependent on the strength of the user. Again too light and there is no power, and too heavy and the
movement is slow and ponderous. Traditionally
this weapon is not used in pairs, as the actions of the one should be
sufficient. The grips are
similar to that of the Sai in name, Honte-Mochi” (Natural), “Gyakute-Mochi”(Reverse)
and Tokushu-Mochi”(Special grip).
The special grip falls into “Ippon-Tsuki” (single thrust) and
“Tatami-Tsuki” (folding thrust).
Nunchaku belongs to the family of Bo and is known as the
“portable Bo”.
History has not
endowed this weapon with traditional kata as shown by the content of
those handed down. They are
by design training kata to enable better handling and combination work.
The essence of the weapon is the kumite, exploring distance,
angles and footwork. Impact
should be on the tip of the weapon or it will bounce back on the user. Whilst it is noted that
there is a farming implement of the Nunchaku design, it should be
pointed out that again China was using this weapon concept long before
it was recorded as a Ryukyu weapon.
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Tinbe-Rochin
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This weapon is the
most glamorous of the Ryukyu system and exudes a feeling of history long
gone. The usage however is
more akin to a combination of Zulu fighting and European sword and small
shield fighting.
The Tinbe (Shield)
can be made of various material but is commonly found in vine or cane,
metal, or for presentation, in turtle shell.
The shield size is generally about 45 cm long and 38 cm wide.
The Rochin (Short spear) is cut with the length of the shaft being
the same distance as the forearm to the elbow if it is being held in the
hand. The spearhead then
protrudes from the shaft and can be found in many differing designs.
The favored style has an expanded middle section before the point,
which is twisted upon insertion to make the wound larger.
The weight of the blade is critical for the spear usage, which is swiveled
between the fingers to use both ends, smashing with the butt end and
stabbing with the blade end.
The techniques are circular to avoid too much direct contact on the
shield and the short spear is predominantly used in an upward stabbing
motion, piercing armour under the rib cage, armpits, and throat.
Good knees are essential for the kumite along with a proficient
understanding of Ukemi. The
Ryukyu Kobujutsu syllabus has one kata, which exuded posturing, speed with
agility, and balance. The
techniques of the Tinbe-Rochin are unique to shield and spear usage.
Clearly the origins of design
and usage bear little resemblance to agricultural needs.
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Surujin
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This weapon is
taught as the last in the Ryukyu system of the classical eight weapons. Found in two kinds,
Tan Surujin (short) and Naga Surujin (long) the lengths are about
150-152 cm and 230-240 cm respectively.
It is a weapon with the essence of concealment prior to use,
which can extract a substantial price from the victim.
Traditionally found with a bladed instrument at one end and a
weighted end at the other, the Surujin techniques are very akin to those
of the Nunchaku.
For kumite
training the cord is usually made of leather allowing more speed and
agility. Kata however tends to be demonstrated with a chain link
Surujin to emphasize the potential in the weapon. The difficulty
in usage is the control of the swing and the awareness of the length
required in respect of the fighting distance. The hips need to be
centrally fixed with a low center of gravity and the swing should be
through the arm to the shoulder without moving the head. The
recovery from the swing is dependent on the dexterity of the user, as it
is critical to the final attack before the stab. Historically this
weapon is very prevalent and can be found attached to a weapon or used
separately. It is undoubtedly a
weapon designed for warfare and not for agricultural usage.
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